Learning Objectives

• Observe variations in material, colour, and position of objects when creating a still life.
• Take informed decisions in choosing objects, arranging them, and creating the still life.

Chapter 16: Still Life in Colour

Learning Outcomes

• Observes the variations in material, colour and position of objects when creating a still life.
• Takes informed decisions from choosing objects, arranging them and creating the still life.

Activity 16.1: Arranging a Still Life

Step 1: Choosing Objects

• Choose objects from everyday life that convey identity and belonging (e.g., basket, clock, ball, toy, shoes, trophies, flowers, fruits).
• Search for rare or unusual objects made by local artists.
• Select 3-4 objects of varying materials, colours, textures, sizes, and dimensions.

Step 2: Choosing the Backdrop

• Select one or two large pieces of single-coloured cloth to create a backdrop that complements the objects.

Step 3: Arranging the Objects

1. Drape the cloth with natural folds.
2. Place objects to appear overlapping from different angles.
3. Experiment with placements (upright, on side, leaning, raised).
4. Consider light and shadow for tonalities.

Activity 16.2: Draw and Colour the Still Life

Materials Needed

• A4 size paper or 1/4 chart paper, pencils, sharpeners, erasers, colouring medium of choice.

Steps to Follow

1. Observe the still life from your angle.
2. Draw the contour using light lines, ensuring all objects stay within the frame.
3. Colour the still life using various techniques to show tones and shades.

Technical Tips

• Keep lifting your head to observe the still life for better resemblance in drawing.

Important Artists

• Paul Cezanne: Known for experimenting with new techniques in still life painting.
• Krishna Howlaji Ara: A member of the Progressive Artists Group, known for his still life paintings.

Conclusion

• Still life compositions are integral in art, evolving from symbolic representations to main subjects in artworks.