What is a Good Book?
Suggested Reading
- Sesame and Lilies by John Ruskin
- Seven Lamps of Architecture by John Ruskin
Understanding the Text
- Limitations of the Good Book: What are the limitations of the good book of the hour according to Ruskin?
- Criteria for Readers: What criteria does Ruskin believe readers should fulfill to be fit for the company of the Dead?
- Painstaking Task: Why does Ruskin consider reading the work of a good author a painstaking task?
- Emphasis on Accuracy: What emphasis does Ruskin place on accuracy?
Talking About the Text
- Discuss in pairs:
- Ruskin's insistence on looking intensely at words and assuring oneself of meaning, syllable by syllable, letter by letter.
- The crucial role of diction in the communication of meaning.
Appreciation
- Text Features: Identify features that fit the speech mode in the excerpt from Sesame and Lilies, which consists of two essays written for public lectures in 1864.
- Shifts in Style: Discuss the shifts in style and diction that differentiate the language used in 1864 from today.
Language Work
- Rhetorical Style: Analyze how starting many sentences and paragraphs with 'And' contributes to the rhetorical style of the lecture.
- Balanced Sentences: Study the balance in the following sentences and find others in the text that reflect this:
- a. "It is right that a false Latin quantity should excite a smile in the House of Commons; but it is wrong that a false English meaning should not excite a frown there."
- b. "Let the accent of words be watched, by all means, but let the meaning be watched more closely still, and fewer will do the work."
About the Author
John Ruskin (1819-1900): A powerful and influential critic of the nineteenth century, he wrote on various subjects including nature, art, architecture, politics, and history. His work is characterized by clarity of vision. His notable volumes include Modern Painters (1843), Unto this Last (1862), and Sesame and Lilies (1871). His ideas on architecture are presented in The Seven Lamps of Architecture (1849) and The Stones of Venice (1853).