What does Forster mean by 'the life in time' and 'the life by values'?

Historical accuracy and moral lessons

Scientific facts and philosophical ideas

Daily routines and spiritual beliefs

How does Forster describe the primitive audience's reaction to stories?

They were engaged only by the story's suspense

They were indifferent to stories

They were engaged only by the story's suspense

They were focused on the language used

They were interested in character development

How does Forster describe the relationship between time and novels?

Time is imperative in novels as they narrate events in sequence

Novels can exist without the concept of time

Time is an unnecessary construct in novels

Time is imperative in novels as they narrate events in sequence

Time is only a minor aspect of novels

What does Forster suggest is the role of suspense in storytelling?

To enhance character development

To improve the language of the novel

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The Story

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The Story

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Dual Allegiance in Life and Literature

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Literary Criticism and Colloquialism

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Narrative Structure and Time

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Learning Objectives

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Understand the fundamental aspect of the novel as its story-telling aspect.
Analyze the significance of time in the narration of a story.
Discuss the relationship between daily life and the narrative structure of novels.
Explore the concept of suspense as a literary tool in storytelling.
Examine the dual allegiance of life in time and life by values as presented in novels.

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Revision Notes & Summary

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The Story

Fundamental Aspect of the Novel

The fundamental aspect of the novel is its story-telling aspect.
Different perspectives on what a novel does:
- First Voice: Vague and indifferent, sees a novel as simply telling a story.
- Second Voice: Aggressive and straightforward, emphasizes the importance of a good story.
- Third Voice: Reflective and regretful, acknowledges the necessity of storytelling in novels.

Allegiance to Time

Novels have an imperative allegiance to time; they cannot deny it.
Daily life may not require this allegiance, as shown by mystics' experiences.
Examples of authors manipulating time in novels:
- Emily Bronte: Tried to hide the clock in Wuthering Heights.
- Sterne: Turned the clock upside down in Tristram Shandy.
- Marcel Proust: Altered the hands of the clock to create simultaneous events.

The Nature of Story

A story is a narrative of events arranged in time sequence.
The story's merit lies in making the audience want to know what happens next.
The story can fail if it does not engage the audience's curiosity.

Life in Time vs. Life by Values

Daily life consists of two aspects:
- Life in Time: Events occur in a sequence.
- Life by Values: Measured by intensity rather than time.
Example: "I only saw her for five minutes, but it was worth it" reflects both allegiances.

Conclusion

The story is the backbone of a novel, essential for its existence.
It connects to human curiosity and the need for suspense, as illustrated by Scheherazade's tale.

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Practice Test – MCQs, True/False

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Multiple Choice Questions

A narrative of events arranged randomly

A narrative of events arranged in their time sequence

A narrative of events arranged by importance

A narrative of events arranged by location

Correct Answer: B

Solution:

Forster defines a story as a narrative of events arranged in their time sequence.

By telling stories with suspense

By pleading with the king

By escaping from the palace

By using magic

Correct Answer: A

Solution:

Scheherazade survives by telling stories that keep the king in suspense, making him eager to hear the next part, thus delaying her execution.

Chronological events and emotional significance

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The Story

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True or False

Correct Answer: False

Solution:

Forster explains that daily life reflects a double allegiance to 'the life in time' and 'the life by values'.

Correct Answer: True

Solution:

The stories in The 1001 Arabian Nights are linked by Scheherazade's continuous storytelling to the king.

Correct Answer: True

Solution:

Forster defines a story as a narrative of events arranged in their time sequence.

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The Story

Study Action Plan (Sorted by Difficulty)

Dual Allegiance in Life and Literature

High

Literary Criticism and Colloquialism

High

Narrative Structure and Time

Learning Objectives

Practice, Analyze & Improve 🚀

Revision Notes & Summary

The Story

Fundamental Aspect of the Novel

Allegiance to Time

The Nature of Story

Life in Time vs. Life by Values

Conclusion

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Practice Test – MCQs, True/False

Multiple Choice Questions

Q1.How does Forster describe the story in relation to time?

Correct Answer: B

Q2.In the context of E.M. Forster's discussion, how does Scheherazade manage to survive her fate?

Correct Answer: A

Q3.What does Forster mean by 'the life in time' and 'the life by values'?

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True or False

Q1.According to Forster, daily life is composed of a single allegiance to time.

Correct Answer: False

Q2.The 1001 Arabian Nights stories are linked together by a single narrative thread.

Correct Answer: True

Q3.Forster describes the story as a narrative of events arranged in their time sequence.

Correct Answer: True

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High

Primitive Roots of Storytelling

High

Rhetorical Devices in Novel Writing

High

The Role of Suspense in Storytelling

High

Correct Answer: A

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Q4.According to E.M. Forster, what is the fundamental aspect of a novel?

Correct Answer: A

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Q5.How does Forster describe the primitive audience's reaction to stories?

Correct Answer: B

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Q6.How does Forster describe the relationship between time and novels?

Correct Answer: C

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Q7.According to E.M. Forster, what is the fundamental aspect that all novels share?

Correct Answer: C

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Q8.According to E.M. Forster, what is the fundamental aspect of a novel?

Correct Answer: A

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Q9.What does Forster suggest is the role of suspense in storytelling?

Correct Answer: B

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Q10.What literary tool did Scheherazade primarily rely on to survive according to Forster?

Correct Answer: B

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Q4.According to Forster, the story aspect of a novel is comparable to a backbone or a tape-worm.

Correct Answer: True

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Q5.According to Forster, the story is the lowest and simplest of literary organisms.

Correct Answer: True

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