Learning Objectives

• Understand basic music terminologies, such as naada and dhwani.
• Familiarize with the notes of Carnatic and Hindustani music.
• Sing selected compositions of Indian classical music using the correct notes of the raga and in the correct tala.
• Develop a basic understanding of some Carnatic and Hindustani talas.

Chapter 7: Ragas and Taal/Talas

Learning Outcomes

• Understands basic music terminologies, such as naada, dhwani.
• Is familiar with the notes of Carnatic and Hindustani music.
• Is able to sing selected compositions of Indian classical music using the correct notes of the raga, and in the correct tala.
• Has a basic understanding of some Carnatic and Hindustani talas.

Exercises

1. Teentala Sections: How many sections are there in teentala?
   • (i) 3
   • (ii) 2
   • (iii) 6
   • (iv) 4
2. Identify Carnatic Tala: Identify the Carnatic tala from the angas (parts):
   • (a) IOII
   • (b) IOI
3. Unscramble the Names of Ragas:
   • (a) IRVBHAA
   • (b) AAYNM
   • (c) KJAMAH
   • (d) AMAOHN
   • (e) ILHAABIR
   • (f) AAAAAASBNHKRHNMR

Basic Talas of Hindustani Music

• Jhaptaal: 10 units/matras
  • Theka/Bol: Dhee Naa, Dhee Dhee Naa, Tee Naa, Dhee Dhee Naa
• Rupak: 7 units
  • Theka/Bol: Tee, Tee, Naa, Dhee, Naa, Dhee Naa
• Ektal: 12 units
  • Theka/Bol: Dhin Dhin, DhageTirkit, Tu Naa, Kat Taa, Dhage Tirkit, Dhi Naa

Carnatic Talas

1. Dhruva
2. Matya
3. Rupaka
4. Jhampa
5. Triputa
6. Ata
7. Eka

Important Notes

• The seven notes in Indian classical music are: Sadaj, Rishabh, Gandhar, Madhyam, Pancham, Dhaivat, Nishad.
• Ragas express emotions and create moods; different ragas are sung at different times of the day.
• Example: Raga Bhairav is a morning raga, while Raga Yaman is generally sung in the evening.